Where Are You Going? :: Literary Analysis, Joyce Carol Oates

Joyce Carol Oatess Where Are You Going, Where Have You Been? tells the tale of a fifteen year old girl named Connie living in the early 1960s who is stalked and ultimately abducted by a man who calls himself Arnold Friend. The short novel is based on a true event, but has been analyzed by many literary scholars and allegedly possesses numerous underlying themes. Two of the most best-selling(predicate) interpretations of the story are that the entire scenario is only dreamt by Connie (Rubin, 58) and that the abductor is in reality the devil in disguise (Easterly, 537). But the truth is that sometimes people really can just be in the wrong place at the wrong time. Connie, a victim of terrifying circumstance will be incessantly changed by her interactions with Friend.Oates drew the character of Connie very well - she possesses many of the qualities that teenaged children share. According to developmental psychologists, adolescents be descend highly critical of siblings, and peer r elationships take priority over familial ties during these years (Feldman, 455). These traits are apparent in Connies unflattering description of her older sister June, she was so plain and chunky (209) and the situation that Connie spends many nights out with friends, but refuses to attend an afternoon picnic with her family (211). In addition, a teenagers feelings of self worth are dependent upon the favorable reception of others. Connie displays this as she practices checking other peoples faces to make sure her own was all right (208). And of course there is also the explosion of hormones and corresponding inner urges and fantasies. Oates makes all of these characteristics clear in her descriptions of Connies actions, thoughts and feelings.Rubin attempts to convey the idea that Connie falls asleep in the sun and has a daydream in which her intense proneness for total sexual experience runs headlong into her innate fear (58) and aspects of the story do seem dream like - for i nstance the way in which the boys in Connies daydreams dissolved into a single face (210), but the supposition that the entire episode is a dream does not ring true. There are many instances in which Connie perceives the frightening truth quite clearly she is able to identify the many separate elements of Friends persona - that slippery affable smile of his and the singsong way he talked (214). But because of the lack of attachment with her own family, and her limited experience in relating deeply to others, all of these things did not come together (214) and Connie is unable to recognize the real danger that Arnold Friend poses until it is too late.